One Punch Man is an extremely fun anime to watch, blending the action/fighting and parody genres. Very clean and smooth in execution, it’s accessible to both newbies and experienced viewers alike. If you’re very familiar with the action genre (Dragon Ball Z, YuYu Hakusho, Bleach, etc), you will find that almost everything in the anime is a parody on some level, from the main character’s lack of hair, to the various monsters, to the S-ranked heroes. But what makes One Punch Man stand apart is that it doesn’t purely rely on the parody; it’s fully aware that it’s also an action anime and really delivers as such. Part of the delivery is the contrast of the personality of the main character compared to everything that’s going on around him, counterbalancing all the craziness going on. He has a two-stage personality – that of a pretty average guy and that of a functionally unbeatable character (who knows it.) This gives him a refreshing devil-may-care attitude that is fairly unique. Why should an over-powered character feign weakness or even care about enemy attacks when they won’t really do anything? The attitude actually resolves a longstanding weakness often found in action anime, who artificially create drama by not “powering up” until the last minute. Instead, One Punch Man creates some excellent drama involving other, weaker heroes and their stories. All in all, a raucous party and a really great show to watch.
Purpose:Excellent Characters: Very Good World: Excellent Plot:Very Good Storytelling:Excellent Pace:Very Good
Miss Kobayashi’s Dragon Maid is a blend of slice-of-life comedy and light fantasy. The overall tone of the anime is pretty light-hearted and sometimes sweet, with a touch of seriousness woven throughout. That said, it’s fairly underwhelming compared to others in the genre. Part of the issue is that this anime is structured around a fast-paced comedy skit style, often found in adaptations of 4 panel manga series (although the original work in this case is not a 4 panel manga). This isn’t usually a problem if you have a proper arrangement of theme and mood (see Wagnaria and Monthly Girls’ Nozaki-kun, for example). What made it a problem for this anime, was that the comedy is overall pretty flat. The comedic punchlines are generally recycled, with only a handful of categories that keep reappearing in slightly different setups. The high points of the anime are the ones that are either not recycled (like the sweet and serious parts) or the comedy that hasn’t had a chance to cycle through too many repetitions. Overall, it was a fun concept, but lacked the spark you’d expect out of an anime like this.
Masamune-kun’s Revenge is a show about the interplay of contradictions, both within characters and in interactions between characters. The show’s premise is contained in its title, but the execution is very different from what you’d expect. What’s particularly interesting about this anime is that it doesn’t take the ugly route, instead opting for a heaping of melodrama punctuated by some very deep moments, making it very entertaining. The story is structured in an almost simplistic fashion so that the characters end up seeming hilariously petty in their interactions. In addition to overt storytelling, the music was employed in a very precise fashion to create the melodrama by drawing attention to and blowing petty acts out of proportion. This keeps the overall tone light and the comedy rolling instead of creating a slugging match of abusive one-upsmanship. It also serves to mask the fact that the underlying issues are very real and actually kind of reasonable, given the circumstance. This interplay of contradictions led up to an exceptionally complex and powerful scene – one that probably is up there on my list of dramatic scenes. While I don’t think this show is going to be everyone’s cup of tea, I am interested in seeing where they are going to go with it, given that it was set up as a first season.
Purpose:Very Good Characters:Good World:Good Plot:Good Storytelling:Very Good Pace:Very Good
Interviews With Monster Girls is a very sweet and endearing show about monster girls in a very down-to-earth school setting. While that may sound rather plain and uninspired, the show utilized a more thoughtful approach in how they presented the characters, both human and non-human. The main character follows (quite refreshingly) in the theme of Gate – a mature character that is more of a good guy, rather than a nice guy. Instead of relying on dim-witted naivete, the main character takes an active role in shaping the dynamics of the group and outcomes of a variety of situations. This isn’t to say he’s an all-powerful superman, but his stable and empowering character ends up being a catalyst for positive change in other characters. Because of the grounded tone of the anime, it ends up having a very real feel, lending credibility to all of the interactions. With that setting, they end up addressing some very deep issues, such as how individual differences can affect a group as well as the struggle a teacher faces in trying to guide their students. Not to say the anime’s necessarily all lofty and high-brow – there’s lots of fun and cute moments. While there aren’t any crazy harem antics like other shows of a similar type, Interviews With Monster Girls ends up serving as a very low-key counterpoint to others in the genre. A surprisingly simple, yet very satisfying anime to watch.
Purpose: Excellent Characters: Excellent World: Very Good Plot: Good Storytelling: Excellent Pace: Very Good
This is an anime that started off decent, cut itself off at the legs, flailed around in the mud, and then clawed its way back to something competent by the end. I really wanted to like Re:ZERO – they had some really promising elements and ideas that, unfortunately, died in execution. It’s really difficult to put my finger on a single point of failure, so much as a collection of under-performing elements that combine to really bring it down. A lot of the problem can be traced to the main character himself. While his character arc was relatively believable (going from enthralled by adventure, to mild angst, to unsightly self-absorption, followed eventually by repentance and actual competence), his fundamental character, as displayed by the anime was ugly. The anime described him best through some of his actions – he created his own mess, agonized about his own mess, and then fixed his own mess (all work that was pretty unnecessary). But it wasn’t just the main character. The anime struggled to find its voice and ended up with a fairly predictable pattern of silly events -> blood everywhere storytelling arc that leveled itself out about 3/4 through the 25 episodes. It takes a long while before they use the violence for anything other than shock value. This is compounded by the poor pacing and storytelling that interrupted the flow of events when they managed to get things going. Perhaps the most frustrating part is that the anime showed its potential – both in characters and storytelling, mainly through Rem and also through the very tight development of Wilhelm and his backstory. Though I’d probably warn someone against Re:ZERO, if you’re intrigued by the theme of redoing events, I’d highly recommend Steins:Gate (Masterpiece) instead.
Purpose:Poor Characters: Decent World:Good Plot: Decent Storytelling: Poor Pace: Not Really Good
Mobile Suit Gundam Unicorn originally aired as an OVA series of 12 episodes of roughly 1-hour in length. Re:0096 re-cuts it into a tv-sized series of 22 episodes, sometimes cutting it in a jarring fashion. That aside, Gundam Unicorn is a series that probably won’t be terribly accessible to a new viewer, since it relies heavily on (and refers to) a lot of the previous Gundam series in the Universal Century timeline. (If you’re confused already, here’s a graphic showing the timelines).
True to Gundam form, the series has grand and lofty ambitions – dealing with the collateral damage and side-effects of war, as well as the meaning of conflict and peace, and older generations of people as opposed to newer ones. Since that’s the main focus the character development will seem a little fast, with people skipping to conclusions instead of agonizing over it. This will be a bit of a welcome change to experienced Gundam fans, since the focus of the series will often be a civilian thrown into a military situation with death and explosions, who deals with it through whiny angst. In spite of this, they do manage to pull together some absolutely spectacular character moments, although you have to wait for them a bit since Gundam series are a slow burn and tend to peak around 3/4 through.
All in all, a solid entry in the Gundam series that’s really pretty to watch as well.
Purpose: Very Good Characters: Decent World: Very Good Plot: Good Storytelling: Very Good Pace: Decent
WWW. Wagnaria!! the anime is a spin-off of the Wagnaria series, taking place in another restaurant in the same chain. Actually, the source material for this anime came from an earlier work by the same manga artist. The work was a web series and served almost as a pilot. This ends up being important because the best way to think of this anime is as a prototype for the first Wagnaria anime.
This anime is pretty entertaining to watch. It’s full of eccentric characters that make for a wacky slice of (work) life. Compared to Wagnaria!, the comedy is a little on the harsher side, but funny nonetheless. The characters aren’t particularly complex and are more like caricatures of a single “problem.” Actually, if you pay close attention, you can see the foundation of character traits and types that later make an appearance in the Wagnaria! series. This lack of depth ends up limiting the scope of interaction between the characters – they are mostly segregated into comedy duos. Unfortunately, WWW. Wagnaria has a significantly accelerated timeline, meaning that the viewer won’t be quite as invested in the payoffs. That said, it’s certainly worth a watch!
Purpose: Good Characters:Good World:Good Plot: Decent Storytelling: Good Pace: Good
Full disclosure – I completed the Tales of Zestiria game before watching the anime and really liked the story.
The good news is that it’s really pretty to watch – gorgeous animation and smooth fight scenes. The bad news is that it was somewhat disappointing. Setting aside the fact that there was a two-episode throwaway insert that was basically an ad for Tales of Berseria (yes, which I plan on buying), the biggest problem was that they didn’t properly build the plots, characters, and issues. While the Berseria elements may play a role later, it ended up thinning out the time to set up the payoffs. For example, characters would come to a realization that wasn’t set up as an issue, previously – it doesn’t help the viewer if the issue is purely internal and unspoken. That’s what makes it a little odd – in order for some of these issues to make sense you pretty much had to have played the game, but the story itself differs somewhat (which is neither good nor bad). Without that knowledge, the show seemed to need to jump from point to point without really setting up the “why” of it. I do get that 12 episodes may be a little tough to hit the finer points of the story (roughly half of it, actually). However, due to the failures in the storytelling, this season ends up under-performing and becomes rather forgettable.
Purpose: Decent Characters:Good World:Good Plot: Decent Storytelling: Not Really Good Pace: Decent
Tamako Market is a very lighthearted comedy anime. Though somewhat bland, perhaps it’s best to think of it as setting the stage for the OVA movie Tamako Love Story (Excellent). Very sweet and fluffy, Tamako Market is about the joy of life – loving a peculiar little community. If you love the super-sweet anime without any clouds in the sky, this is right up your alley. If not, you can find it… trying. That said, it doesn’t feel like much happens, in spite of the presence of a talking bird and the general main plotline of finding a bride for a foreign prince. Actually, the talking bird is pretty much the saving grace of the show, acting as a refuge from the saccharine tone of the anime.
As much as I’d love to say skip ahead to Tamako Love Story, you really do need to finish Tamako Market because it develops the characters’ personalities and lays the framework for the OVA.
Tamako Love Story is a very different beast, and is more serious – it clouds over the sunshine a bit. It’s about growing up and dealing with changes that happen in life, dealing with a combination of changes that you want to happen and changes that you are fighting against, even if subconsciously. Everything about Tamako Love Story is stronger and more solid. Come to think of it, the OVA has one of the strongest “confession” scenes in recent memory. Really, this is the payoff that makes the whole series worth it.
Purpose:Decent Characters: Good World: Good Plot:Decent Storytelling: Decent Pace: Decent
This was an anime I’ve wanted to see for some time. I was expecting a rather campy show that followed in the line of “modern man goes to fantasy world” that we see fairly often. Instead, it’s a very solid “what if” scenario that is well grounded in the vein of Log Horizon. Essentially, it’s a more realistic depiction of a clash of worlds that includes light politics alongside particularly “cool” combat sequences. Part of what makes it stand out is how well they develop the cast – everyone’s a professional and actually good at their jobs. There’s a maturity to all of the dealings that is really refreshing – characters don’t fly off the handle “just because.”
The world is managed in a really strong fashion. For example, in sequences that required interpreting between languages, it was handled in Japanese but they’d give cues that the language was different, like using really over-emphasized simple Japanese or to occasionally have the translator chime in. Moreover, the conflict is a conflict of people – someone may be doing villanous acts, but ultimately not a “villain,” as most stories will select someone and give them no redeeming qualities.
Another really fascinating thing the anime did was reinforce that our main character is an important part of the goings-on, but by no means the only actor on the field. There’s a lot more at play, even when it affects our main character. Sometimes, it will even leave our main group to follow someone else who is playing an important role in the issue.
All told, a really fun watch that has a strong balance of serious, silly, and cool.
Purpose:Very Good Characters:Very Good World:Excellent Plot:Very Good Storytelling:Excellent Pace:Very Good